Cultural Politics around East Asian Cinema： 1939-2018 [単行本]

Cultural Politics around East Asian Cinema： 1939-2018 の 商品概要

• 目次（「BOOK」データベースより）

  １　Ｆｉｌｍ　Ｃｏｎｔｒｏｌ　ｉｎ　ｔｈｅ　Ｊａｐａｎ　Ｆｉｌｍ　Ｌａｗ（Ｅｉｇａ‐ｈｏ）
  ２　“Ｍｅ‐ｉｓｔｉｃ　Ｎａｔｉｏｎａｌｉｓｍ”　ｉｎ　Ｆｉｌｍｓ　Ｐｒｏｍｏｔｅｄ　ｂｙ　ｔｈｅ　Ｊａｐａｎ　Ｓｅｌｆ‐Ｄｅｆｅｎｓｅ　Ｆｏｒｃｅｓ：Ｆｏｃｕｓ　ｏｎ　Ｍｉｄｎｉｇｈｔ　Ｅａｇｌｅ　ａｓ　ａｎ　Ｅｘａｍｐｌｅ
  ３　Ｃｏｌｌａｂｏｒａｔｉｏｎ　ｂｅｔｗｅｅｎ　Ｕ．Ｓ．Ｆｉｌｍ　Ｉｎｄｕｓｔｒｙ　ａｎｄ　Ｕ．Ｓ．Ｇｏｖｅｒｎｍｅｎｔ　ｆｏｒ　Ｆｉｌｍ　Ｄｉｓｔｒｉｂｕｔｉｏｎ　ｉｎ　ｔｈｅ　Ｒｅｐｕｂｌｉｃ　ｏｆ　Ｃｈｉｎａ
  ４　ＷＷ２　Ｆｉｌｍ　Ｐｒｏｄｕｃｔｉｏｎ　ｉｎ　Ｃｈｏｎｇｑｉｎｇ：Ｔｈｅ　Ｊａｐａｎｅｓｅ　Ｓｐｙ
  ５　Ｆａｃｔｏｒｓ　ｉｎ　ｔｈｅ　Ｅｓｔａｂｌｉｓｈｍｅｎｔ　ｏｆ　ｔｈｅ　Ａｎｉｍａｔｉｏｎ　Ｉｎｄｕｓｔｒｙ　ｉｎ　Ｐｏｓｔｗａｒ　Ｊａｐａｎ
  ６　Ｖｉｒｔｕｏｕｓ　ａｎｄ　Ｄｅｐｒａｖｅｄ：Ｐｏｒｔｒａｙａｌｓ　ｏｆ　Ｗｏｍｅｎ　ｉｎ　Ｎｏｒｔｈ　Ｋｏｒｅａｎ　Ｃｉｎｅｍａ
  ７　Ｄｕａｌ　Ｌａｎｇｕａｇｅ，Ｄｕｂｂｅｄ　Ｃｉｎｅｍａ：Ａｎ　Ｅｎｌｉｇｈｔｅｎｅｄ　Ｃｏｌｏｎｉａｌ　Ｓｕｂｊｅｃｔ　ｉｎ　Ｈｏｍｅｌｅｓｓ　Ａｎｇｅｌｓ
  ８　Ｄｏｕｂｌｅ‐ｅｄｇｅｄ　Ｎａｔｉｏｎａｌ　Ｉｍａｇｅｒｙ：Ｆｒｏｍ　Ｔｈｅ　Ｄａｕｇｈｔｅｒ　ｏｆ　ｔｈｅ　Ｓａｍｕｒａｉ　ｔｏ　Ｍｙ　Ｊａｐａｎ
  ９　Ｔｈｅ　Ｍｙｓｔｅｒｉｏｕｓ　Ｐｏｐｕｌａｒｉｔｙ　ｏｆ　Ｊａｐａｎｅｓｅ　Ｆｉｌｍｓ　ｉｎ　Ｔａｉｗａｎ　ｉｎ　ｔｈｅ　１９５０ｓ　ａｎｄ　’６０ｓ

• 内容紹介

  This study examines the interdependent relationships between the film industry and the state in East Asia, treating films as political economic products, mixtures of government policy and industrial motives, rather than mere works of art or media commodities. We examine the East Asian film industries from the 1930s to the 2010s pursuing their own economic and political goals by cooperating, negotiating and conflicting with states. Through studies of national film policies, film industry strategies and cultural-political influences on audience receptivity, this book reveals how films are formed by the interaction of the state, the film companies and audiences.

• 著者について

  Noriko SUDO（須藤 遙子） (スドウ ノリコ)
  筑紫女学園大学 現代社会学部 教授．
  専門：文化政治学，メディア学
  
  Takeshi TANIKAWA（谷川 建司） (タニカワ タケシ)
  早稲田大学政治経済学術院客員教授
  映画ジャーナリスト

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